Fall
2002 Shoppe Talk
San Marino Toy and Book Shoppe
| In looking through the lovely books coming
for Fall, 2002, we are pleased at the terrific choices available for older
readers; fantasy, humor, and adventure. We found thought provoking and
entertaining fiction from writers respectful of their young audience's
ability to read challenging, well-crafted prose. As for picture books,
they reaffirm our belief that some of this country's finest art appears
between the pages of children's picture books. May you each have
a happy and healthy holiday season filled with the joyful company of family
and friends. |
A Treasure Trove
of Picture Books For Fall
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If Mary
Poppins or Dr. Spock were giving out endorsements, then I’M GONNA LIKE
ME; Letting Off a Little Self-Esteem by Jamie Lee Curtis and
Laura
Cornell would probably be on their lists. Mary would relate to the
snarky attitude and Doc might approve of the healthy messages couched in
this zany companion to the Curtis/Cornell growing library of life's
concerns (moods and emotions, birth, growing up, and death). Told in alternating
voices that would work as a two-voice read-aloud, the girl says “wearing
flowers and plaid. I have my own style. I don't follow some fad.” The boy
says “I'm gonna like me when my answer is wrong, like thinking my ruler
was ten inches long.” Although the rhymes and situations may occasionally
be a bit forced, the easy and cheerful approach is a set up to engage kids
in follow-up conversation. It concludes with the two children in the book
saying to the young reader, “I'm gonna like me. I already do! But enough
about me — How about YOU?” (Ages 4–8, $15.99) |
Okay. Here's a confession. When
we were little, our favorite excuse was “But she hit me back first.” We
didn't find that one in David Shannon's DAVID GETS IN TROUBLE.
Nevertheless, he comes up with many of the classics, like “But Dad says
it!” For that one Shannon paints David into a corner with a bar
of soap in his mouth. (Do parents still do that?) Then there's David grinning
at us, his face covered with chocolate cake, his handprint clearly carved
into the cake, and the words, “No, it wasn't me!” Oh growing up is so hard.
In the middle of the night, on the following pages, he sits up in bed,
confesses and apologizes. On the last page, at peace with himself, his
mothers hand comforting him, he says, “I love you, mom.” This is one for
the kid who has a hard time owning up … well, come to think of it, probably
any of us at one time or another.
(Ages 3–7, $15.95) |
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In the several “school” theme related books
out this season, I.Q. GOES TO SCHOOL by Mary Ann Fraser is
our pet. Well Hess actually Mrs. Furber’s pet rat and Hess a bright one
who can't wait to be picked as student of the week. He learns his alphabet,
numbers, holidays and even performs in the Thanksgiving play, but he has
to wait a long time for his turn in the limelight. Fraser’s artwork,
full of classroom paraphernalia, is as appealing as her simple story of
one school year in the life of a pet rat. It's just right for early readers,
for reading aloud to a classroom of kids, or to a child about to begin
a school experience.
(Ages 4–8, $15.95) |
| For over two decades, Judith Viorst’s
Alexander’s
Terrible Horrible No Good Really Bad Day has reigned as the most wonderful
terrific really good example of using humor to turn the “negative” inside
out. Now, in this season, we welcome two new additions to the genre. Jane
Kurtz’s RAIN ROMP; Stomping Away a Grouchy Day begins with a
grumpy child who refuses to leave her bed on a rainy morning. But Mom and
Dad are not easily discouraged. They laugh and yodel and carry on. The
pajama-clad child runs outdoors into the rain for a good stomp, joined
by her parents and “little silver worms of rain wriggle and slither under
our shirts.” A romp in the rain helps melt the grouchiness away. The bouncy
rhyming text is set into great soaking splashes of color achieved with
watercolors and gouache by Dyanna Wolcott. (Ages
3–6, $15.99) |
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In one of our favorite
books this season, Marla Frazee’s art whirls and swirls across the
pages of Linda Smith's MRS. BIDDLEBOX who gets up in a funk
on the “wrong side of her bunk.” Her solution is to
“… cook this rotten morning!
I will turn it into cake!
I will fire up my oven!
I will set the day to bake!”
And indeed, with enormous
energy and imagination, the bleak day is transformed into a “merry slice
of cake.” In reading the back flap copy, we discover that Linda Smith
lost a two-year battle against breast cancer. She left us a legacy of positive
humor and fierce determination that Frazee has captured in her spot
on portrayal of MRS. BIDDLEBOX as a homely lady of indeterminate
age, frizzy black hair contained in a mop of a ponytail flying behind her.
(Ages
4–8, $15.95)
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| A noodlehead story has deep roots
in oral storytelling, where an improbable yet not impossible series of
actions leads to a satisfying conclusion. One such tale from the deep South,
Epaminondas, has been recreated as EPOSSUMONDAS by Coleen Salley,
the Mardi Gras’ Queen Coleen. Epossumondas encounters Alligator, Raccoon,
Nutria and Armadillo as he travels back and forth between his auntie and
mama on a series of misinterpreted errands. The sense of fun is heightened
by artist Janet Stevens’s creation of the “sweet little patootie”
as a baby possum in diapers, and the mama and auntie as southern ladies
(remember the lady in Anne Miranda’s To Market! To Market!, also
illustrated by Janet Stevens? — she’s back!) Illustrated in watercolor,
colored pencil, with some photographic and digital elements, and told in
a rich, honeyed southern voice, EPOSSUMONDAS adds a wonderful variation
to an old standard. (Ages 4–8, $16.00) |
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MY
DIARY FROM HERE AND THERE/MI DIARIO DE AQUI HASTA ALLA chronicles the
journey made by Amada Irma Perez’s family when they left their home
in Ciudad Juarez to find work and make a life in El Monte, California.
Her first book, My Very Own Room, described the efforts made by
her family to give their only daughter a space apart from her five rough
and tumble brothers. Once again she conveys the spirit of her close knit
family and the good humor with which they face the challenge of moving
from one country to another. As in Perez’s first picture book, Maya
Christina Gonzalez’s vibrant paintings fill the pages that include
both English and Spanish text.
(Ages 5–9, $16.95) |
| THE POT THAT JUAN BUILT started
out with “clay all squishy and white, Dug in the hills from morning till
night.” And step-by-step a clay pot was built, dried, polished, painted
and fired. In Nancy Andrews-Goebel’s multilayered rhyming picture
book, we see the finished pot first and then peel back the steps to get
to the first digging of clay. The familiar rhyme is only one part of this
informative and colorful picture book, for on the opposite page of each
spread there is a concurrent text that tells the story of Juan Quezada
of Mata Ortiz in Chihuahua, Mexico, who rediscovered a pottery making process
that had vanished with the potters of the Casas Grandes people who left
that area six hundred years ago. The book’s illustrator, David Diaz,
uses warm yellow as his background color, overlaid with “wide wet” brush
strokes for decorative plants and shrubs, and adobe houses set into the
landscape. The paintings of people and animals appear to be stenciled.
However Diaz notes his artwork was entirely rendered in Adobe Photoshop.
Somehow the juxtaposition of computer technology to illustrate an ancient
but still vital art form amuses us. In a more detailed afterword illustrated
with photographs, Andrews-Goebel fills in even more details about
pottery making and the life of the village of Mata Ortiz where almost every
household boasts at least one potter, and the active art community has
re-energized its economic base. (Ages 4++, $14.95) |
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Inspired
by California swap meets and Santa Ana winds, ESTELA’S SWAP by Alexis
O’Neill brings us a young girl, hoping to sell her favorite music box
while earning money for dancing lessons at the Ballet Folklorico. Estela’s
hopes are dashed when the music box is damaged in the aftermath of the
winds, but her willingness to aid another vendor leads to a most wonderful
swap after all. Warmly illustrated by award-winning artist, Enrique
O.
Sanchez, the book is a great introduction to the way a swap meet works.
(Ages 6–10,
$16.95) |
Picture Book Biographies
| Lives of exemplary people have provided
inspiration for gifted artists and storytellers in this season’s selection
of top picture books. For example, Leo and Diane Dillon have
celebrated the late, great Bill “Bojangles” Robinson (1878–1949) who tap
danced his way to fame during the bleak and dreary days of the Great Depression
of the 1930’s. Their own teamwork for RAP A TAP TAP; Here’s Bojangles
– Think of That! created a rhyming, hand-clapping, finger-snapping
text with colorfilled art so elegantly alive you can almost hear Bojangles
feet tapping across the pages in images that overlap and blend like time-lapse
photography. In their dedication The Dillons pay homage to African-American
artist, Aaron Douglas (1899-1979) one of the leaders of the Harlem Renaissance,
whose paintings that blended shapes and designs of African Art with the
clean-edged elegance of Art Deco served as inspiration for this lovely
book. (Ages 4+, $15.95) |
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| WHEN MARIAN SANG, a stunning tribute to Marian Anderson, is
a collaboration by writer Pam Munoz Ryan and artist Brian Selznick
whose first combined effort, Amelia and Eleanor Go For a Ride provided
the idea for this lovely book. A photograph of Eleanor Roosevelt presenting
Marian Anderson the 1939 Springarn Medal, NAACP’s annual award for outstanding
achievement by a Black-American, was the inspiration. That was the year
Marian Anderson sang on the steps of the Lincoln Memorial to a gathering
of 75,000, after the D.A.R. refused her appearance at Constitution Hall.
She was the first African American concert artist to record spirituals
for a major American recording company and the first to break the color
barrier with the Philadelphia Philharmonic. Ryan’s text reveals
Anderson’s difficult path to success. The untimely death of her father
before her teens and the long history of racial discrimination might have
stopped a less motivated person. Even she had to wait almost a lifetime
to be the first African-American to make her debut with the Metropolitan
Opera. The year was 1955. Anderson was in her fifty-eighth year. Selznick
commemorates the event in the final two-paged spread of this handsome book
as the spotlight shines on Anderson, arms out stretched. The book, like
her life, is a triumph. (Ages 6+, $16.95) |
| Oklahoma Governor Frank Keating admires the late WILL ROGERS,
cowboy-actor-humorist-writer-world traveler, who died in 1935, two years
before Keating was born. And from his sympathetic recounting of
this quiet humorist, and Mike Wimmer’s paintings that echo the style
of Norman Rockwell’s affectionate American portraits, we get a picture
of a man we all would have liked. He believed in modesty and plain living.
His restless nature spurred him to travel — three trips around the world.
(And that was years and years before jumbo jets.) “I never met a man I
didn’t like,” he said. We sure could use a few folks like Rogers out there
right now. (Ages 5+, $16.00) |
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Alphabet Books
In every season there seems to
be a coincidence of theme – this appears to be the year of Alphabet Books.
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Denise
Fleming’s colorful paper pulp artwork leads us through an ALPHABET
UNDER CONSTRUCTION. Mouse is back, and he’s building the alphabet using
26 different construction methods. Fleming’s playful
creativity shines. You might find
it fun to construct an alphabet with different constructions skills for
each letter.
(Ages 2–5, $16.95) |
| Perhaps the “classiest” is the MUSEUM
ABC using the considerable resources of The Metropolitan Museum
of Art. Each letter is given a representative word, i.e.; “J is for
Jewelry.” Then four examples of jewelry in artworks are shown, including
a ring detail from a Dutch painting ca. 1460 and bracelets from an Ingres
work, ca. 1851. It’s fun to see how four artists depict “cat”, “kiss”,
“nose” and “rose.” The reproduction quality is excellent and the art —
what can we say? — is museum quality. (Ages 2++,
$16.95) |
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Michael
Chesworth takes us aboard ALPHABOAT to tickle our punny bones.
Offer this up to beginning readers with a developing sense of humor as
they work out the joke of a voyage to find buried treasure that will take
“n r g” as we take a great “s cape”. His watercolors will help guide the
way. (Ages 5–8, $16.00) |
| You’ll find your toes tapping and
fingers snapping when you read Sherry Shahan’s THE JAZZY ALPHABET,
a lively, bouncing trip through the world of jazz lingo. The silk-screened
paper collage illustrations by Mary Thelen are vibrant and add hidden
treats on each spread. (Ages 3–7, $15.99) |
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Chapter Books
for Young Readers
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Wilson is a third grader having trouble with
timed multiplication tests. Even his kindergarten brother,
Kipper can do the x 3’s faster than Wilson. In 7 X 9 = TROUBLE,
Claudia
Mills’ first chapter book, Wilson is a great kid, with a supportive
family and friends, but has trouble with the pressure of the timed tests.
He is certain that he would be able to concentrate if the class hamster,
Squiggles, could be with him, but the hamster is missing and the third
grade’s deadline for x 12’s is looming. G. Brian Karas illustrates
this book with a tender touch. (Ages 6–8, $15.00) |
| Fudge lovers will be delighted with
Judy
Blume’s new novel of the Hatcher family, when DOUBLE FUDGE brings
the family back to New York. Fudge is in accelerated kindergarten, older
brother Peter is in 7th grade and his best friend is moving to SoHo. Fudge
is obsessed with money, he wants it all and is sure you can get it from
the ATM. A family trip to Washington D. C. leads to the accidental meeting
of dad’s long lost cousin Howie and his family, including the Natural Beauties,
Flora and Fauna, and little Mini, a younger version of Fudge, with the
same great uncle’s name, Farley Drexel Hatcher. Fudge is less than thrilled
to share his identity, while Peter must deal with the singing twins Flora
and Fauna. A welcome sequel to a series that started in 1972 with Tales
of a Fourth Grade Nothing. If you are new to this series, you will
get much more than a double helping of Fudge, there are four titles before
DOUBLE
FUDGE, available in paperback. (Ages 8–12, $15.99) |
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Eleven-year-old
Pete has just moved to a central California coastal town and isn’t having
an easy time making connections. He truly loves surfing, having surfed
Huntington Beach and the Newport jetties, but is too young to fit in with
the hotshots until he encounters Blackie, the SURFER DOG, who knows
just which waves to catch. Blackie and surfing fill Pete’s time as his
grades plummet. When he is grounded right before an upcoming surf contest,
he must learn the consequences of his obsession. Author Elizabeth Spurr,
who lives in Cayucos, California, has written a novel that will resonate
with those of us who love living along the coast. (Ages
8–12, $15.99) |
Fiction for Middle
Graders
Sometimes a work of fiction can
be disguised enough to look like and read like a “real” story. Marissa
Moss accomplishes this by using an illustrated journal format. It brought
her a devoted readership for the original Amelia’s Notebook series.
Then she branched out into historical fiction, drawing on extensive research
to present history disguised as diaries for her Young American Voices
series. Now, with the publication of GALEN; My Life in Imperial Rome,
she will broaden her readership to include topics of appeal to boys. The
need for high-interest, accessible books for boys is a challenge and the
call for books about ancient history continues so GALEN is welcome
in many arenas. In this first book of An Ancient World Journal series,
Moss
combines the sorts of information and a mystery plot that will appeal to
her targeted readership. GALEN, a 12-year-old Greek slave is encouraged
by his master Emperor Augustus to keep a journal detailing his life. He
works as an apprentice to his father, a talented painter, but has enough
free time to develop a friendship with another young slave who is a charioteer-in-training.
Because of the friendship, he attends a victory banquet where he overhears
a conversation that makes him suspect his own master’s life might be in
jeopardy. Even the book’s format with a smaller trim size than the previous
“journals” and lots of colored illustrations sprinkled throughout the hand-lettered
text is designed to intrigue a reluctant reader. But there is plenty of
substance in this attractive book to satisfy a more accomplished one.
(Ages 8–13, $15.00) |
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Roy is
the new kid in his middle school in a small Florida town. He’s going through
the usual bullying, hazing experience and feeling pretty bummed about leaving
Montana. On his way to school he sees a barefoot kid running. He looks
about his age and his curiosity is aroused. In the same town, a chain pancake
restaurant is about to build its 469th restaurant right on top of a burrowing
owl nest. And someone else in town is trying to stop them from doing it.
With HOOT, adult writer Carl Hiaasen makes a snappy and entertaining
first appearance as a children’s author. (Ages 10–13,
$15.95) |
| The KEEPER OF THE DOVES is
the reclusive Mr. Tominski, someone Amen only hears about in dark whispers
from her older sisters. Even Papa’s patient dog, Scout, growls when he’s
around. Mr. Tominski keeps to himself, half-hidden in a chapel in the woods
but Papa insists he be treated as a member of the family. He tells Amen
that Mr. Tominski once saved his life when he was a little boy and ever
since, the man has lived on the edge of their property, under their protection.
But the twins, the inseparable Bellas, two years older than Amen, continued
to tell her frightening stories about Mr. Tom. Betsy Byars’s elegant
story set at the close of the nineteenth-century, is a polished gem. Amen
is her narrator. She’s the youngest of five living daughters, a gifted
child who Grandmama calls a “wordsmith.” Through her eyes we get a glimpse
of prosperous family life at the close of the nineteenth century. Toward
the end of the story Amen comments on how much has happened in her life
in just one month, including the arrival of a baby brother. We think it’s
remarkable how much good writing Byars fits into just under 125
pages. (Ages 9–13, $14.99) |
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The arrival of a new Lloyd Alexander novel perks us up. With
eager anticipation we begin, “Lidi was not easy to ignore, especially when
flame shot out of her fingertips.” Lidi is a traveling magician, a genius
of the sleight of hand. But the one trick she most wants to learn is THE
ROPE TRICK and there is only one person who can teach her that — the
elusive “The Fantastic Ferramondo.” Travelling and performing throughout
the provinces and little country towns with only one trustworthy assistant
since the death of her father six months earlier, she is on a quest to
find the great magician. She is soon joined by a winning young waif named
Daniella with a streak of clairvoyance who becomes her “added attraction.”
Shortly after Daniella’s arrival they add a roustabout to their company
named Julian, a handsome young fugitive with a price on his head. Alexander,
with his storyteller’s magic, sets the plot for his ROPE TRICK in
motion and we follow until its denouement, delighted — surprised — and
thoroughly entertained. (Ages 9–13, $16.99) |
One of our mother’s favorite sayings
was, “If one is good, two is better.” This season there seems to be recurring
coincidence of pairs of novels on related themes … including The Vietnam
War, Venice, and sea/pirate adventures set in the early nineteenth century
— and in all cases, two is truly better than one.
| First off, we welcome a republication
of JIM DAVIS; A High-Sea Adventure by John Masefield. This
1911 novel is in the tradition of Treasure Island, complete with
kidnappings and pirates and nautical terminology intact (with a terrific
glossary at the back for landlubbers). Jim tells how he, orphaned at nine,
is taken in by his uncle on the Devon Coast. After a few years, kindly
Mrs. Cottier and her son come to live with them which improves his living
arrangement. One day in the midst of an unexpected snowstorm, she fails
to return home after an outing into town. Jim, worried she has had an accident,
sets out into the night to find her. And so the adventure begins as Jim
gets involved with pirate/smugglers plying the channel between France and
Britain. John Masefield may be remembered best for his famous poem,
“Sea-Fever” that begins, “I must go down to the sea again, to the lonely
sea and the sky, And all I ask is a tall ship and a star to steer her by.”
The full poem is included in Michael Murpurgo’s introduction to
this reprint. It’s a good yarn for reading aloud. (Ages
10–13, $15.95) |
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And any
youngster who loved The True Confessions of Charlotte Doyle, the
Newbery Medal novel by Avi, will rejoice in L.A. Meyer’s BLOODY JACK;
Being an Account of the Curious Adventures of Mary “Jacky” Faber, Ship’s
Boy. In a matter of days Mary loses her family to “pestilence” and
becomes one of a family of street urchins, begging for food and pennies.
When their main protector Charlie Rooster is found dead, she takes his
clothes, arranges protection for the remaining “family” and takes off on
her own, now disguised as a boy. Her ability to read gets her a place as
one of five ship’s boys aboard HMS Dolphin, “a forty-four-gun frigate and
a man-of-war in His Brittanic Majesty’s Royal Navy.” Its first assignment
is to fight Barbary pirates off the coast of North Africa to “protect fair
England’s merchant fleet.” Her main duties are to help out the schoolmaster
who teaches the midshipmen, help scrub the deck, clean the head, and climb
into the cooking cauldrons to scrape them out after feedings. Jacky’s thrilled
to have regular meals. Her hardest challenge is keeping her gender secret
which becomes ever more difficult as she blossoms into her teen years.
Meyer
has created a plucky heroine and plunked her into a perfect setting to
test her mettle. She passes with flying colors. (Ages
12+, $17.00) |
The Vietnam War is a central element
of both Valerie Hobbs’ SONNY’S WAR and Joan Bauer’s
STAND
TALL. They work surprisingly well as a pair to be read in that order.
Neither author is afraid to present the hard issues facing kids but both
offer positive and hopeful resolution.
| Valerie Hobbs’ perspective
is the immediate impact of the war on her narrator, fourteen-year old Corin
Davies. The year is 1967 and it’s a tough one for Cory. First came the
unexpected death of her father. Now her brother Sonny, (“I loved Sonny
with horse blinders on.”) is on his way to Vietnam. Her mother is preoccupied
with keeping their family restaurant afloat, and Cory is beginning her
first year of high school. Because the family is relatively new in this
sleepy little backwater of a Southern California town of Ojala (which Ventura/Santa
Barbara County readers will immediately recognize as Ojai) Cory doesn’t
have lots of friends. Not much changes in a place like Ojala so the young,
tall, blond, skinny, sandal wearing substitute history teacher is big news.
He’s a conscientious objector who spends each lunch period demonstrating
against the war in front of the school cafeteria. Cory is smitten but the
School Board is getting complaints that he’s an “unhealthy influence.”
In SONNY’S WAR, Hobbs provides contemporary readers an understanding
of how the Vietnam War polarized the country. Through Cory’s engaging voice
she gives us a sympathetic and personalized view of the war’s impact on
the young men who fought in that war and on their families. (Ages
12+, $16.00) |
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In Joan
Bauer’s STAND TALL, Tree’s Grandpa Leo is a Vietnam veteran.
His words of wisdom and fighting spirit are a great comfort to Tree, who
at twelve years old is the tallest kid in the history of his school. At
home, Tree towers over his college-age brothers, his father and grandfather.
He’s trying to adjust to living in two houses since his parents’ recent
divorce and help his grandpa who has just had part of a leg amputated.
Over thirty years ago Grandpa’s problem leg “got shot up with shrapnel
when he was on night patrol in the Mekong Delta” and has been nothing but
trouble ever since. Grandpa is determined to get walking quickly; Mom is
determined to get on with her life even as the rest of the family is struggling
with her decision. Bauer creates this multilayered plot (and we’ve
only given a partial scenario that includes a devastating flood, aging
family dog … well, just read it) and turns out the most appealing, humorous
(truly laugh out-loud) story. You just want to hug that sweet kid, Tree,
(if you could reach up high enough!) and cheer for Grandpa as he walks
part of the Memorial Day Parade using his artificial leg. (Ages
11+, $16.99) |
Beautiful Venice, “surely no other
place on earth was more proud of its beauty,” is the setting for THE
THIEF LORD, a captivating adventure by Cornelia Funke. And it
is the inspiration for Mary Hoffman’s intriguing time travel fantasy,
STRAVAGANZA:
City of Masks.
| In Cornelia Funke’s THE
THIEF LORD, two brothers, recently orphaned, are runaways. Prosper,
who is twelve years old, has brought five-year-old Bo to Venice from Hamburg
to escape an aunt who wishes to adopt only the younger child. A small gang
of homeless children living in an abandoned movie theater befriends them.
Their benefactor is a mysterious masked youngster named Scipio who calls
himself THE THIEF LORD. His irregular visits provide them with clothing,
shoes, and goods they can convert to cash for other necessities. Scipio
brags of his thieving escapades and brings them precious objects they sell
to a shady antique dealer. Even though Prosper is worried about their life
of crime and his little brother’s growing admiration for Scipio, he is
even more concerned about their Aunt Esther who believes they are in Venice
and has hired a detective to find them. Funke’s plot is as thick and tasty
as a rich minestrone soup. Her story has all the right ingredients for
a good mystery yarn with a bit of fantasy tossed in to give it a unique
flavor. The novel that won awards in Europe will delight a huge new audience
in its English translation. (Ages 11–15, $16.95) |
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STRAVAGANZA; City of Masks sweeps
the reader through time and space, from 21st Century England to a sixteenth
century city, Bellezza “floating on the water, laced with canals, and full
of domes and spires.” Arianna has come with her fisherman brothers to Bellezza
to cheer the ruling Duchessa’s annual ceremonial Marriage with the Sea.
Her brothers don’t know that Arianna has no plan to return home with them.
Although it is forbidden for anyone other than a native born Bellezzan
to remain overnight on that sacred day, she plans to disguise herself as
a boy and hide out in the city overnight in order to enroll in the Scuola
Mandoliera. And on that same night, into this Venice-like world, a young
man is “stravagated” from 21st century London and awakens in the same hiding
place chosen by Arianna. In his real life he is fifteen year old Lucien,
bald and weak, struggling to recover from the devastating side effects
of chemotherapy. In Bellezza, Arianna renames him Luciano and becomes his
guide in this strange place. Here he is healthy, with dark curls and abundant
energy. When Arianna takes him to witness the Duchessa’s selection of the
candidates to train as mandoliers, he is chosen by accident. But then,
just as unexpectedly, he is apprenticed to the mysterious Signor Rodolfo,
scientist and magician and consort of the beautiful Duchessa. Rodolfo recognizes
Lucien is a “stravagante”, a wanderer between worlds. Mary Hoffman’s
novel shifts between two struggles. In Lucien’s modern world, doctors are
losing their fight to save Lucien’s life, and in his dream world of Bellezza,
Luciano becomes embroiled in a plot to murder the Duchessa. We understand
that STRAVAGANZA; City of Masks is the first novel of what promises
to be an exciting trilogy.
(Ages 12+, $16.95) |
| “Wow!” was the one word written
on the jacket of our review copy by the first of our staff to read Nancy
Farmer’s THE HOUSE OF THE SCORPION. That “wow” will be echoed
by every thoughtful middle-schooler who thanked us for recommending Farmer’s
Newbery Honor winning The Ear, the Eye and the Arm and by every
other student who is looking for the kind of gritty humor and suspenseful
storytelling they loved in Louis Sachar’s Holes. Farmer takes
the reader into a foreseeable future to a new country called “Opium” established
one hundred years ago along the old borders between The United States and
Mexico. It is a land owned and run by the drug lords where the cash crop
is poppies and the workers are captured illegals. It is a time when clones
are produced to insure a long life for their “parent” cells. Matt is the
latest in a line of clones that belong to El Patron who is 142 years old
at the beginning of the story. Except for Matt’s caretaker and a bodyguard
provided by El Patron, there are few people on the family’s estate who
treat Matt as human. To El Patron’s descendents and friends, the endearing
child is a beast, an “it.” Farmer weaves a fascinating story filled
with captivities and escapes, friendships and betrayals and the ultimate
victory of love and generosity. And what propels the novel beyond its compelling
drama are the underlying thought-provoking ideas and questions about the
ethics of human engineering and political solutions. THE HOUSE OF THE
SCORPION is quite brilliant. (Ages 11+++, $17.95) |
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New Nonfiction
Biography
and Memoir
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Books
for children don’t often celebrate famous chefs so we are delighted to
discover THE ADVENTUROUS CHEF: ALEX SOYER. Ann Arnold has
researched the life of this zany and talented fellow and, along with all
the tidbits of his varied life, has added colorful and appealing paintings.
Soyer, born in France in 1809, had begun to establish a reputation for
himself before he was out of his teens. Summoned to England to cook for
the aristocracy, he moved on to direct the kitchens of a London club. With
the cooperation of an architect he was able to implement many of his innovative
ideas about how a kitchen should be organized and equipped. Arnold
paints a two-paged spread detailing the kitchen layout. In time he designed
soup kitchens to feed hundreds of people in England and Ireland. In the
mid-1850’s he took his skills into the battlefields to train army chefs
how to cook nutritious food for the troops on improved cookstoves, saving
huge amounts of dwindling firewood reserves. At the request of Florence
Nightingale, he trained the hospital cooks to provide “excellent meals
for the sick and wounded.” Even when he fell ill of Crimean fever he was
determined to carry on. It’s really refreshing to read about the life of
someone who used his unique talents to improve his world. (Ages
7–11, $17.00) |
| Russell Freedman’s biographies
are well researched, carefully written, and filled with interesting facts.
In many of his award-winning works, his focus has been American notables
like Lincoln, Eleanor Roosevelt, and the Wright Brothers. He has now turned
his attention to the ancient past, to China and the life and philosophy
of CONFUCIUS; The Golden Rule. As he explains, information on Confucius
and his philosophy comes from sources written in the centuries after his
death. It fell to his disciples to record his wise words in what was to
become a volume known as the Analects. Freedman lists a number
of English translations for anyone who wishes to read further. But these
48 pages will give young readers a good start to knowing about the life,
ideas and times of a man who lived over 2,500 years ago. Although Confucius
hoped to influence the rulers of his time, his most ardent following came
from ordinary people who were attracted to his advice for pursuit of a
simple life. For a time Confucius traveled, visiting the various rival
courts within his splintered country, as he tried to find a ruler willing
to test his precepts of governance. But his advice threatened the status
quo. Freedman relates one story where a nobleman asks how to control
thievery. Confucius was said to reply, “If you yourself, sir, were not
on the take, no one would be trying to steal from you.” Freedman
also notes in an afterword, that in 2000, he traveled to China to the city
where Confucius was born to participate in the 2551st celebration of his
birth. In attendance, as honored guests, were his descendents of the 77th,
78th and 79th generations including two half-British school children, ages
7 and 12. (Ages 9+, $15.95) |
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Among
the fifty-six, there were bankers, farmers, shipbuilders and printers.
Some held slaves, and some would not. Some were in their early thirties
and many were two decades older. But they each promised “that they would
stake their ‘Lives … Fortunes, and … Sacred Honor’ on their country’s cause.”
These were the men who risked their lives to sign the Declaration of Independence.
Now we can read about each of them in Dennis Brindell Fradin’s THE
SIGNERS; The 56 Stories Behind the Declaration of Independence. Fradin
has divided the book into thirteen sections, highlighting the special features,
history and map of each colony, some quick facts about each signer from
that colony like birthdate, wives’ names, number of children, followed
by paragraphs about their lives and significant contributions. With over
150 pages, this handsome volume, with Michael McCurdy’s scratchboard
illustrations, is a fine tribute to the “first heroes of our nation.”
(Ages 9+, $22.95) |
WE ARE THE MANY; A Picture Book
of American Indians by Doreen Rappaport and illustrated by Cornelius
Van Wright and Ying-Hwa Hu presents a significant moment in
the lives of sixteen American Indians. The first vignette highlights Tisquantum
(Squanto) (ca.1589-1622) who showed the Pilgrims how to weave and use fishnets
and how to use some of their catch to “enrich the soil for growing corn.”
The last two are contemporary figures, Wilma Mankiller (b.1949), who has
worked to improve the living conditions of her Cherokee Nation and Sherman
Alexie (b.1966) of the Spokane–Coeur D’Alene tribe whose poetry, novels,
stories and screenplays continue to celebrate the life of his people. The
illustrators, in their afterword, explain how they attempted as closely
as possible to capture the essence of each subject within an accurate setting.
Squanto and Sacajawea are found in most American History texts but many
names in these short introductions may have previously been unknown to
young readers. WE ARE THE MANY provides an attractive starting place
to learn more about their accomplishments.
(Ages 5–10, $15.95) |
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We were
fascinated and inspired by Mawi Asgedom’s memoir, OF BEETLES
AND ANGELS; A Boy’s Remarkable Journey From a Refugee Camp to Harvard.
Mawi’s mother bid farewell to her home in Ethiopia and along with her two
sons, ages five and three, and infant daughter began a long journey to
find his father and safety in a Sudanese refugee camp. They remained in
the camp from 1980 until 1983 until they arrived in white, middle class
Wheaton, Illinois, under local church sponsorship. The life of a refugee
in America has never been easy. Africans, coming from great deprivation
and an enormous cultural divide must face almost insurmountable obstacles
to success. Mawi credits “angels,” people who reached out at crucial times
to give an extra boost to their own determination to succeed. In his commencement
address at his graduation from Harvard in 1999, he reminded his fellow
graduates that “today’s small acts of kindness can become tomorrow’s whirlwind
of human progress.”
(Ages 10–100, $9.95
paperback) |
Books for the
Holidays
| Our choice for this year’s family
Christmas read-aloud is the late Pearl Buck’s CHRISTMAS DAY IN
THE MORNING, written almost fifty years ago, but as fresh as newly
fallen snow with Mark Buehner’s handsome paintings. Her story is
about a man, who recalls a Christmas fifty years earlier, when as a youngster
of fifteen, he recognized for the first time, that his father loved him.
They were a hard-working farm family, one with little time for expressing
endearments and little money for frivolous gifts. That Christmas he decided
to surprise his father with a gift unlike any he had ever received. The
boy woke far earlier than the usual four a.m. milking time. In the early
hours of Christmas morning, for the first time in his life, he did all
the chores alone. When his father came to wake him, he was back in his
bed, pretending sleep. Some minutes later, his father returned and the
two embraced. Every Christmas morning from then on, his father’s words,
“The best Christmas gift I ever had”… reminded him of that first Christmas
he had given “his first gift of true love.” (All ages,
$16.99) |
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Almost twenty years ago we met that
really cute little mouse who was trying to keep the “big hungry bear” from
eating his “red, ripe strawberry”. In the intervening years, its creators,
Don
and Audrey Wood have given the world a marvelous array of classics
like The Napping House and King Bidgood’s In the Bathtub. We’re
happy to welcome back our old friend mouse for a happy reprise in
MERRY
CHRISTMAS, BIG HUNGRY BEAR! This time mouse’s good-hearted generosity
wins out as he hauls a cache of gifts and decorations to the bear cave.
As in the first book, young readers can imagine their own versions of bear
who never appears in the artwork. And speaking of artwork, we also welcome
back Don Wood’s use of the same paper and paints he used for the
original little mouse book. (Ages 2–7, $15.95) |
| ONE CANDLE is placed alongside
the traditional eight-branched menorah every year in one family’s Hanukkah
celebration. This is no ordinary wax candle, but one in which a cotton
wick is dipped into oil held within a hollowed potato. Each year Grandma
and Great-Aunt Rose wait until the lovely meal of latkes, brisket and apple
sauce is enjoyed. Then Grandma carves the potato to form a well for the
oil. As she carves she tells the family of the first candle she had made
in this way; of the margarine and potato smuggled from the kitchen in the
Buchenwald Prison Camp where the sisters were forced to cook for the officers.
“All that wonderful food. None of it for us.” But one potato hidden in
their skirts in order to celebrate Hanukkah became a symbol to remain “strong
in the bad time” and remember “it in the good…” ONE CANDLE made
from a potato to remember those who didn’t survive the concentration camps
and to be grateful for lives spared to share the stories and to raise a
glass to life, “L’chayim.” Eve Bunting’s sensitive story of courage
and hope is beautifully illustrated by K. Wendy Popp’s pastels.
As the words recall the past and celebrate the present, her colors mirror
the shifts from hardships to the present where families feel safe enough
to place a menorah in a window for all to see. (Ages
5–9, $15.99) |
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In families
with young children, eight nights of Hanukkah mean eight nights of gift
exchanges. At least one of these nights should be a night of books — gifts
that light a child’s imagination far beyond the eight nights of celebration.
Jewish folklorist Howard Schwartz’s INVISIBLE KINGDOMS; Jewish
Tales of Angels, Spirits, and Demons reaches into centuries past and
geographies far flung to share a taste of folklore that intrigued and captivated
earlier generations. Artist Stephen Fieser provides the paintings
for these nine magical tales. (Ages 8+, $16.99) |
Poetry
| Jane Breskin Zalben in her
introduction to LET THERE BE LIGHT; Poems and Prayers for Repairing
the World, presents the idea that every act of kindness and compassion
by one person to another, no matter how small, becomes part of the process
of repairing the world. In reading through this lovely collection that
draws from many faiths and cultures, and looking at the exquisite and varied
artwork she has created for each selection, one understands that this volume
is her own effort in furthering the work. On finishing our first reading
of it, we were moved to say, “Amen.” (All ages,
$15.99) |
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Where
else would you find a “beautiful rhinocerose,” “hippopotamushrooms,” or
“the detested radishark”? Come along with us to Scranimal Island “where
magical creatures are found.” You’ll discover a tantalateasing awry of
SCRANIMALS
created by the brilliant word magician, Jack Prelutsky. His poetry
takes you on an inventive adventure of wordplay with equally innovative
visual effects provided by talented Caldecott Honor artist Peter Sis.
These are “make you read–aloud” poems as the words slither and slide with
vocabulary verdant and abundant. SCRANIMALS marks at least the fourth
time this pair have worked together. Beware the creative power of “Jackpeter
Prelutsis.” (Sorry, this book just makes you say things and see things
you might never have before.) (Ages 4++, $16.99) |
This year, two California authors
have depicted the middle school years in verse in two distinct voices.
| For the first year of middle school
angst SWIMMING UPSTREAM; MIDDLE SCHOOL POEMS, by Kristine O’Connell
George, starts with the first day “not knowing where I’m going” and
ends on the last day “shining from the inside out”. This luminous voice
is a real winner, with the added benefit of the rich variety of poetic
forms used to shape the year. (Ages 9–12, $14.00) |
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A great
companion piece is GIRL COMING IN FOR A LANDING, written by April
Halprin Wayland as a novel in poems. The title character is just starting
the second year of middle school and more than 100 poems take the reader
through friendships, romance, personal growth and challenges. Illustrator
Elaine
Clayton, has created a scrapbook collage in tones from gray to black.
The After Words section encourages new writers to pursue their dreams,
whether of publication or journaling for personal enjoyment. (Ages
11 & up, $14.95) |
Newsletter text Copyright 2002 ©
by Jody Shapiro. All Rights Reserved.
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