The librarians who
met in mid-January to select their annual Newbery Medal winner for
children’s fiction found Christopher Paul Curtis’s beautifully crafted,
bittersweet tale, BUD, NOT BUDDY to be as appealing as we did. Set
in the heart of the depression, Curtis writes the story of one orphaned
youngster who sets out on a journey from Flint to Grand Rapids, Michigan,
to find a bass fiddle player who he thinks is his father. Bud is a sweet
kid who has learned lots about surviving in orphanages and foster homes.
He has had his fill of both and knows it’s time to take his destiny into
his own hands. In his afterword, Curtis pays tribute to his own
grandfathers on whom some of the story is based. They would be proud to
know their descendant has also been given the Coretta Scott King Award
for the best book of the year written by an African American. (Ages
9-13, 15.95)
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Audrey Couloumbis’s GETTING NEAR TO BABY begins and ends on a house rooftop. The house belongs to Aunt Patty and Uncle Hobart. Willa Jo and Little Sister are visiting because their aunt has insisted on taking the two girls home with her until their mother can get her life back in gear. First their Dad left months earlier to find work, and he’s stopped calling and then their sweet Baby Sister died. Little Sister has stopped talking, but then Aunt Patty seems to talk enough for everyone anyway. Willa Jo and her aunt are at odds about everything, especially the across-the-street neighbors. Aunt Patty tells the girls they are “not to associate with them.” Of course these are the very friends to whom they are drawn. The two sisters have already failed vacation Bible School on account of Willa Jo refusing to sit under a tick infested tree. As the story begins she’s climbed on the roof to see the sunrise. Why she won’t come down, she doesn’t exactly know. Gradually she relates the story of what has gone before this very early morning and how, as the day goes on, the roof sitting drama is unfolding. The reader becomes the privileged observer of the family as it begins to sort out feelings and events that have led to this day. Couloumbis has written a strong first novel. We look forward to more by this gifted writer. (Ages
10-14, $17.99)
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| Jennifer L. Holm’s OUR ONLY MAY AMELIA offers a picture of pioneering life at the end of the nineteenth century. Twelve-year-old May Amelia lives on the Nasel River in Washington State with her family of Finnish immigrants. Farming is hard work and everyone is expected to help. May spends most of her time cooking for her seven older brothers now that Mamma is expecting again. May says she is sure wishing for a sister. Even though she’s a girl, she manages to play and work as hard as her brothers, and gets into far more mischief than the rest of them put together. When her baby sister is born, May is put in charge of looking after the newborn since Mamma is “in a real bad way since having the baby”. May is devastated when Baby Amy dies on Christmas morning, just a month after her birth. She and her closest brother run away to their Aunt’s in the wild frontier seaport of Astoria for the rest of the winter while she recovers from her grief. Finally in March, her Pappa comes to fetch his two youngest children home. Returning to the farm with much reluctance, she finally recognizes the importance to her family, the “only May Amelia they have.” Holm’s novel, rich in the details of day to day farm life one hundred years ago, reaches into the heart of one very likeable and unusual young lady grappling with the hard realities of living in that difficult but dynamic time. (Ages 9-14, $15.95) |
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The fourth title honored
by the Newbery Committee was Tomie de Paola’s family memoir,
26
FAIR-MOUNT AVENUE. Much of this first chapter book chronicles the saga
of building the family house. One of the funniest moments occurs when his
mother takes him to see Walt Disney’s “Snow White.” He is incensed at the
liberties Disney takes with the Grimm Brother’s fairy tale as he knows
it. Readers of Tomie’s picture books have encountered many of the members
of his immediate family in Nana Upstairs and Nana Downstairs,
Tom,
and The Art Lesson. We take it as a good sign there will be more
installments since Tomie’s last words on page 57 were “The End (for the
time being.)” Maybe this Newbery recognition will spur him on to
continue what promises to be an endearing look back to growing up in the
30’s and 40’s by one of the most talented and prolific children’s book
illustrators and writers active in the second half of the twentieth century.
Here’s to more from Tomie in the new millennium.
(Ages 5-9,
$13.99)
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| The National Book Award has,
in the past few years, resumed recognition of outstanding books for young
readers.
It was a life-changing summer
WHEN
ZACHARY BEAVER CAME TO TOWN. Not that Zachary Beaver wouldn’t have
made it a memorable summer anyway for thirteen-year-old Toby Wilson. After
all how often does a 643 pound kid show up in a little place like Antler,
Texas? But besides that Toby’s mother has taken off from their rural Texas
town to try her luck singing in Nashville and his best friend’s brother
is fighting in Vietnam. Kimberly Willis Holt creates a set of characters
and a small town that feel as comfortable to the reader as an old flannel
shirt. We’re right there with Toby, experiencing a sympathetic curiosity
over an obese teenager billed as a sideshow freak, suffering major denial
over his mother’s defection, and learning to come face to face with other
people’s tragedies. Toby tells his own story with a clear, honest voice.
Holt’s
first novel, My Louisiana Sky, (Ages 10+, $4.99) has just been issued
in paperback. It too has a strong, likeable main character caught in a
changing family dynamic. One of the best things about the National Book
Award is the opportunity it provides to discover writers like Holt.
(Ages 10+ $16.95)
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Among the finalists
for the National Book Award is Lynne Rae Perkins for her
poignant and humorous first novel about friendship and growing up, ALL
ALONE IN THE UNIVERSE. Debbie and Maureen have been best friends forever,
until the inevitable other girl shows up who is determined to break up
the friendship. Debbie becomes the third wheel. She wishes Glenna Flaiber
“would evaporate”. Instead she seems “to have congealed, like cold gravy
and then cement, and I was the one turning into thin air.” Debbie has a
nice family, good neighbors, and understanding teachers but summer drags
into fall, and finding a new friend takes motivation, time and a little
luck. Perkins’s novel rings true as one very likeable young teen
learns that sometimes losing a best friend can lead to other important
discoveries like finding out a person is not ALL ALONE IN THE UNIVERSE.
(Ages
10+, $16.00)
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Mysterious Aunt Sally comes from Canada to
Ohio to stay with Melissa, Amanda and their younger brother Frank while
their parents are in Paris. The children have heard very little about their
father’s upbringing on Vancouver Island but during the week they spend
with Aunt Sally, the family stories become their dinner and bedtime entertainment.
The stories from the past shed light on the reason why their father has
distanced himself from his own sister. Through Aunt Sally’s seemingly entertaining
tales, the two older girls are given the opportunity to avoid some of the
mistakes made by the previous generation. Author Polly Horvath’s
novel, THE TROLLS, another National Book Award Finalist,
is as eccentric, subtle, and intriguing as its main character. Earlier
novels, like When the Circus Came to Town, (Ages 9-12, $4.95 paperback),
also reflect the author’s irreverent humor that serves as an effective
vehicle for exploring some of life’s bigger issues.
(Ages 8-12, $16.00)
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With the issue of THE LEGEND OF LUKE, master storyteller Brian
Jacques fills in a missing piece in the Redwall epic. Early
in the building of Redwall Abbey, a spirited young hedgehog arrives. While
hoisting a beam she is invited to sing a shanty that tells the story of
brave warrior Luke. Martin the Warrior, “the very backbone of Redwall Abbey,”
realizes at once that the song is about his own father. Stirred by troubled
memories and the need to know his father’s fate, Martin sets out from Redwall
to discover the truth behind THE LEGEND OF LUKE. This twelfth volume
in the Redwall series continues to hold Jacques’s legions
of fans spellbound as good creatures battle evil vermin in swashbuckling
adventures. (Ages 11+, $22.95)
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“Sometimes,” says Sophie’s father, “there are things you just have to do.” For thirteen-year-old Sophie, that thing is to sail with her uncles and cousins on a forty-five-foot sailboat, THE WANDERER, across the Atlantic to visit her grandfather in England. Author, Sharon Creech tells the story of Sophie’s adventures through the device of two journal keepers, Sophie and her cousin Cody. There are some mysteries about Sophie and her parents that the uncles know but that Sophie hasn’t openly acknowledged although her cousins try to open up the topic with her. During the voyage Sophie tells stories about her grandfather and in some ways his unseen presence is a unifying element of the story. This latest Creech novel reminds us of Chasing Redbird and her Newbery Medal-winning Walk Two Moons. In each the protagonist is searching for some understanding of a family event that has occurred when they were too young to fully comprehend it, and are now ready to take in the information. THE WANDERER’s setting has more action as the family battles the challenges the sea can bring but its essence is another well-told “coming into an age of understanding” story. (Ages 9-13, $15.95) |
The Caldecott Committee 2000 awarded the Medal to a charming picturebook and awarded three Honors besides.
| “JOSEPH HAD A LITTLE OVERCOAT. It was old and worn.” And so
he refashioned it into a jacket, And when that became too shabby he sewed
it into a vest, and so on, until all that was left was a button. And when
that got lost he had nothing left at all but the story. And it became this
perfectly wonderful book in the hands of ingenious Simms Taback.
Remember him from the innovative and Caldecott Honor Winning There
Was An Old Lady Who Swallowed a Fly? Well now he has the Caldecott
Medal to keep it company. From the front of its clever book jacket
that hints of the die-cut pages within, to the very colorful, button-filled
back page, Taback delights us with humorous illustrations created
with paintings and collage created from snippets of cloth, photographs,
and only he knows what. And into the pages are cut the newly fashioned
diminishments of the original coat. Once in a while you just want to give
a book a big hug. This is one of those moments.
(All Ages, $15.99)
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There are few illustrators who can match David Wiesner’s
skill at storytelling without words. His expressive art, exquisitely rendered,
leads readers on a visual adventure that invites repeated visits. Come
along with one boy whose class field trip to the top of the Empire State
Building leads him up into the sky far beyond the reaches of its highest
observation decks. A mischievous cloud takes him to SECTOR 7, a
cloud dispatch center where current assignments are issued. The clouds,
finding their orders too dull, turn to the boy to draw up more interesting
specifications much to the chagrin of the official designers. The next
time you look up in the sky and see a whale or dragon float by, Wiesner’s
clever picturebook is bound to come to mind. (Ages 4+, $16.00)
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| We’re warning you! WHEN SOPHIE GETS ANGRY
— REALLY, REALLY ANGRY… you’d better watch out. She kicks, she screams
… and more. But then she goes out into the comforting world of trees and
rocks and ferns. A bird sings and “the wide world comforts her.” Molly
Bang does an extraordinary job of matching her story and words. Her
palette has a rich vibrancy that is in perfect hormony with Sophie’s emotions.
When Sophie is angry the aura surrounding her is bright red. As she calms
down it turns to orange. By the time she returns to her home she is surrounded
by the sunny yellow of a happy child. Any family experiencing the stormy
trials of childhood will appreciate having Sophie’s story on the bookshelf
at ready.
(Ages 2-7, $15.95)
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A year of poetry and artwork grace the pages of A CHILD’S CALENDAR.
John Updike’s poetry observes each month’s qualities, September’s breeze
tastes of apple peel, November’s “maple grieves the loss of her departed
leaves”, and April says “farewell to chills and colds.” The year is observed,
month by month, in words that inspire twelve lovely paintings by Trina
Schart Hyman. We are charmed by the scenes of domestic life, the gentle
playfulness of children interacting in their families and within their
world, rich with the artifacts of living. One wants to drop in on July’s
picnic with friends and family gathered and the artist herself emerging
from the house into the yard bearing a bowl of salad. Then stay around
for a trip to the seaside in August when “the trees are bored with being
green.” Readers will keep this “calendar” for many revisits.
(Ages 3-8, $16.95)
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| Just when we think we’ve
seen the definitive Mother Goose, another lovely one lands at our doorstep.
This latest is SYLVIA LONG’s MOTHER GOOSE, over 100 color
filled pages, include more than seventy-five poems. In Long’s “artist
note” she says that through her drawings she tried for more gentle interpretations
of some of the rhymes. For example, when “Humpty Dumpty” cannot be put
back together again, perhaps there is a duckling inside that broken egg
just waiting to hatch. She has also made an effort to reuse images as a
way of linking the pages. It adds another dimension to the book to search
from page to page to discover an element from one page making another appearance
on the next. Since we are great believers in choice, its nice to know there’s
yet another good one from which to make your selection for the special
children in your life.
(Ages Newborn-6,
$19.95)
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Imagine a picture book
text that is just one side of a conversation. In Chris Raschka’s
clever RING! YO? that minimum dialogue becomes brilliant, especially
when creative teachers get their hands on this gem. First the reader reads
the text, usually one punctuated word to a page, accompanied by illustrated
body language of a youngster we have previously met in Raschka’s
Yo!
Yes? Then a question is posed: “What just happened there?” Raschka
supplies one possible scenario. Students can model his sample and take
off from there, recreating their own versions of the unheard half of the
conversation. If that isn’t a good enough reason to have your own copy
of RING! YO?, keep in mind what a clever tool it is for demonstrating
when to use exclamation points, and question marks!
(Ages 5+++, $15.95) |
| Two cookbooks and a picture book to enjoy all year long |
| Next to reading together,
one of our family’s favorite activities is cooking together. Jane Breskin
Zalben gives families a tasty way to celebrate every holiday with recipes
from TO EVERY SEASON; A Family Holiday Cookbook. Every section of
recipes is introduced with an explanation of the featured holiday And then
besides her artwork, she also adds little notes at the top of each recipe
to further enlighten the cook. When you discover “Molly’s Potato and Barley
Soup” this St. Patrick’s Day you will also learn that Ireland was the first
European country to grow potatoes. Cooks preparing the “seder plate” will
find her full color illustration an invaluable guide along with the accompanying
text which explains why each item on the plate is included. We may not
even wait until Passover to bake “Fanny’s Flourless Chocolate Cake.” It
looks yummy. If you’ve wondered about the way to celebrate Kwaanza, you
will not only learn its “Seven Principles” but how to make vegetarian cutlets
using black-eyed peas and chickpea flour (available at health food stores).
And, if you whip up a “Patriotic Cheesecake” this Fourth of July, please
call us over to help you eat it.
(Ages 8++,
$19.95)
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Chef Gary Goss‘s BLUE
MOON SOUP; A Family Cookbook presents a delicious and nutritious collection
of soups that provides hours of satisfying family interaction and four
seasons worth of yummy cuisine. Stave off winter with “spicy and flavorful”
“Ch-Ch-Chili”, welcome March 21 with “Spring Chicken Soup” or get really
daring this summer with “Best Buddy Soup” that combines tomatoes and (yes!)
oranges. Goss’s humor is cleverly reflected in watercolor artist
Jane
Dyer’s paintings, as together they provide an entertaining browse through
the recipes. BLUE MOON SOUP is a wonderful mixture for motivating
kids to cook and read and for getting grown-ups to do it with them.
And the recipes really are yummy. (Ages 8-adult,
$16.95)
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| While waiting for the soup to cook, bring
out a copy of GRANDPA’S SOUP by Eiko Kadono with lovely illustrations
by Satomi Ichikawa (illustrator of those endearing Tanya
stories). Originally published in Japan, its message crosses all cultures.
After Grandma died, Grandpa was too sad to do anything. What finally roused
him from his lethargy was the wish to eat a bowlful of the good hot meatball
soup that Grandma used to make. Each attempt to remember its ingredients
improves the soup, and each time he cooks it, he has more friends who want
to share it with him. And finally it tastes the way he remembers it, and
he looks forward to the next day when he will have to use all the pots
in his kitchen in order to feed all the children and animals who will join
him for the feast.
(Ages 3-8,
$16.00)
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| About “the birds and the bees” |
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When Robie Harris and Michael Emberley published their ground breaking sex education book, It’s Perfectly Normal, they filled a long-standing need for a contemporary guide for adolescents on the facts of life. It was just the book to hand to middle-schoolers for their journey through the rough seas of puberty and young adulthood. Now this talented pair have published IT’S SO AMAZING! A Book about Eggs, Sperm, Birth, Babies, and Families. This one is for the younger siblings in elementary school who need to know the facts of life without some of the more explicit details of sexuality more appropriate to teenagers. As the title suggests, the book covers reproduction with chapters on menstruation, differences between males and females, and what’s sex (both meanings). It also gets into some of the other issues that made their first book so valuable. For example, in the chapter “What’s Love,” there is a straightforward explanation of heterosexual and homosexual. The authors use terminology that is already part of an elementary aged child’s world. Another chapter, “Keeping Safe,” talks about “Okay Touches”—“Not Okay Touches.” Masturbation is discussed with the caveat “every family has its own thoughts and feelings about masturbation.” There is also a chapter explaining HIV and AIDS. Harris and Emberley have both continued the commitment in this younger version to include information that will ultimately protect the children for whom it is intended. It is their conviction that the well-informed child is the best protected one. What we hope is that parents will use these books as springboards for discussions with their own youngsters. Using them should only make the necessary task that much easier. (Ages 8-12, $21.99) |
| It’s hard to imagine just how difficult it is to hatch one Emperor
Penguin egg. But if you’re an Emperor Penguin Dad and it’s May and you’re
in Antarctica, well then that’s just what you are doing. Sitting on an
egg, day after day, keeping it off the ice and out of the wind, and eating
NOTHING for two whole months while you wait for the chick to hatch. And
if you do a good job, you get to feed the new hatchling, and wait patiently
for Mama to return, bringing the food reinforcements and relieving you
for a long deserved R & R. With an ample dose of good humor and very
appealing illustrations, author Martin Jenkins and illustrator Jane
Chapman present an informative and truly delightful nonfiction book,
THE
EMPEROR’S EGG.
(Ages 3-8, $16.99)
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| Now that January First, 2000, has come and gone … |
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Well,
the hoopla is just about over (except for those of us who refuse to celebrate
the new millennium until January 1, 200l) and we can take a reflective
look back at the past century. With Peter Jennings and Todd Brewster
as our guides to THE CENTURY FOR YOUNG PEOPLE, we are witness to
one hundred years of history. The authors have organized this handsome
242 paged reference into decades, highlighting the significant events that
shaped them. One of the best features is the quoted pieces by individuals
who lived through and witnessed major events. Some were bystanders, at
the right place at the right time, like Mabel Griep, a neighbor of the
Wright Brothers, who was taken by her father to see one of their earliest
flights and said, “It was like witnessing a miracle.“ Others, like Victor
Reuther, actively participated in many of the significant events that led
to industrial unionization in the 1930’s. Two eyewitness accounts, one
by a nineteen-year-old German soldier and another by a ten-year-old Polish
child, describe the invasion of Poland in September of 1939. The volume
is rich with voices of people who, like our parents, grandparents, and
great-grandparents, lived through these times. This is a significant volume
to pass on to next generations who will continue to face the challenges
the new century will bring.
(Ages 8+++, $29.95) |
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Cheryl Harness
begins her imaginative survey of the last century by invoking Roosevelt’s
words and reminding young readers that the GHOSTS OF THE 20TH CENTURY
will continue to haunt us well into the next. Albert Einstein steps out
of an exhibit to lead one youngster on a tour of the century’s highlights.
The takeoff point is a panorama of the December 17, 1903 flight at Kitty
Hawk. Below the two paged spread is an illustrated survey of other major
events that occurred in the first five years of the young century. We appreciate
how Harness tucks the dates of major works of children’s fiction
into the consideration of important events. The first five years brought
the world two important “Peters” (Rabbit and Pan). And it was in 1905 that
our “tour guide”, Einstein, wrote his “revolutionary ideas about tiny particles
of Light”, about Time, Matter and Energy: E=MC2. Some of the other featured
two-page spreads are 1916 on the Western Front of “The Great War”, a coffee
shop during The Great Depression, a very detailed page showing the locations
and dates of some of the major battles of World War II, 1963 in Birmingham,
Alabama, and a view of the 90’s as represented by two school aged girls,
corresponding by computer, trying to decide whether to do their science
report on sheep cloning or the Pathfinder’s journey to Mars. This is a
much more informal approach than the Jennings/Brewster reference reviewed
above, but it packs a healthy serving of information in an appealing and
colorful format. (Ages 7++, $17.00)
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| A Literary “Twinsicle” |
| Whether a child’s interest is meteorology or geography, he will find
ON
THE SAME DAY IN MARCH; A Tour of the World’s Weather an interesting
introductory non-fiction picture book. Somewhere on a day in March, a snowsuit
is the clothing of choice where elsewhere shorts or bathing suits would
be far more comfortable. The winter season is just finishing with some
snowpatches still on the ground in Alberta, Canada, while in Barbados a
day at the beach would be a perfect outing and don’t forget your snorkel
and mask. It can be hailing in Darjeeling, India while in Central Thailand
it’s
just hot. Frané Lessac colorfully illustrates this weather
tour written by Marilyn Singer.
(Ages 3-8, $15.95)
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| Two All-American biographies |
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NORMAN
ROCKWELL, one of America’s most beloved artists, is the subject of
Beverly
Gherman’s splendid biography. She has subtitled it
“Storyteller with a Brush”, which is what Rockwell was. His 332 covers for Saturday Evening Post reflected a major chunk of American life and history, beginning in 1916 and ending in 1963. Even during his own enlistment in World War I he was able to continue illustrating for the magazine. Fortunately the Navy had the wisdom to keep Rockwell from combat, assigning him to staff the base newspaper in Charleston, South Carolina. His art celebrated the birth of international aviation with Charles Lindbergh’s first solo flight across the Atlantic in 1927, to the achievements of the astronauts’ landing of Apollo 11 on the Moon. After he left The Post, he continued to produce covers for Look Magazine’s editors who asked him to “go out into the world ” to depict contemporary social issues, something he had been constrained to do with The Post. One of his most poignant portraits appeared on its covers on January 13, 1964. Entitled “The Problem We All Live With,” it is a painting of Ruby Bridges, escorted by four U.S. Marshals, as she pioneered school integration. As Gherman points out, it still remains one of the most vivid commentaries on the Civil Rights Movement. The excellent text, generously illustrated with Rockwell’s art and family photographs, is a wonderful introduction for young readers to a deservedly popular American figure. (Ages 8++, $19.95) |
| Think what stories there might have been told if SATCHEL PAIGE had been permitted to play in the major leagues before he was forty-two years old. But it wasn’t until July 7, 1948, that Paige became the first black pitcher to be drafted when the Cleveland Indians offered him a job. Long before he made it into the newly integrated majors, he was one of the recognized stars of the Negro League. His showmanship and amazing skills were legendary, bringing out crowds and keeping the money flowing. Lesa Cline-Ransome with the wonderful assist of her artist husband, James E. Ransome, tells his story, how he hustled for jobs carrying “satchels” for folks at the train depot where he earned his nickname as well as much needed tips to help feed his eleven other brothers and sisters. At twelve he was caught stealing. At reform school where he was sent, the baseball coach told him that if he concentrated on baseball, he had a chance to make something of himself. As an underlying backdrop to the Ransomes’ sympathetic portrait of Paige, we can glimpse the disparities created by segregation that lasted long into the twentieth century. (Ages 6-10, $16.00) |
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| Another story from the field of dreams |
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The magic that
is baseball shines through Matt Tavares’s picturebook fantasy, ZACHARY’S
BALL. Anyone of us who ever hoped a foul ball would land in our glove
will connect with his tale. It’s Zachary’s first trip to the ballpark and
it’s made even more exciting when his father catches a foul and hands it
to him. Suddenly he finds himself out on the field, coming in to pitch
for the Boston Red Sox. Of course he saves the game and is given a hero’s
acclaim. When Zachary comes back to reality, he tells his father the baseball
must be magic. His father tells him, “They’re all magic.” Years later,
as a young man, Zachary has a chance to pass the magic on. With rich carbon-pencil
drawings that evoke an earlier time, ZACHARY’S BALL is a timeless
story that will be enjoyed whatever the season by anyone who loves baseball.
(Ages 6-11+, $15.99) |
| A story for each night of Passover |
| Any
Jewish child who has ever attended a Passover Seder wonders about the mysterious
guest, the Prophet Elijah, for whom the door is opened. He enters unseen,
sips from a special cup set aside just for him, and leaves without revealing
himself. Throughout the generations stories of Elijah’s visitations are
told. Often he appears as a ragged old beggar, waiting for a person to
show him kindness, a bit of food and a night’s lodging. As the Jewish people
have dispersed throughout the world, their stories of this remarkable man
have traveled with them. Barbara Diamond Goldin has collected eight
of them in JOURNEYS WITH ELIJAH. From China comes “The Blessing”,
a story that might have originated with the Jews who began settling there
in the eighth century. “Seven Good Years” is set in Argentina where Jewish
settlement began as early as the mid-eighteenth century. Added to the richness
of the tellings are the exquisite watercolor paintings by Jerry Pinkney.
His attention to details like the lace on a tablecloth, the patterned fabrics,
landscapes and portraits are a delight. This is a lovely gift to bring
if you are invited to share a Seder with a family.
(Ages 7+++,
$20.00)
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(All ages, $24.95; $12.99 paperback) |
| After the Easter egg hunt |
| HENNY-PENNY takes
on a whole new look under the capable computer graphic creativity of Jane
Wattenberg. Combining photos of her own hens, a variety of other appropriate
fowl, and a moderately menacing foxy-loxy, plus some of the world’s scenic
wonders, she has produced a hilarious and cheeky version of an old favorite.
Visual puns abound. The text is a rhyme-riddled romp that begs to be read
aloud. It’s a “fresh as a new laid egg” look at the classic tale with its
underlying cautionary message. “Beware of unsubstantiated information.
Believing and acting on unverified information may lead to serious outcomes.”
Now, we do understand that important life’s messages are often couched
in children’s classic nursery tales, but it doesn’t stop us from having
a good time while we are imparting them. Have a cackle over this one.
(Ages 4-8,
$15.95)
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| One to read for Mother’s Day |
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MOTHERS ARE LIKE
THAT is a stunning debut for illustrator Paul Carrick whose
luminous paintings accompany gentle text by his own mother, Carol Carrick.
Each mother depicted, whether cat, duck, goose or contented sow, looks
after her babies in her own way. As Carrick reminds children, “mothers
are like that.” When a human mother gently tucks her own child into bed
with a kiss good night we know he’s been fed, bathed and read gently reassuring
bedtime stories like MOTHERS ARE LIKE THAT. (Ages
2-5, $15.00)
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| In celebration of Earth Day |
| In a lyrical reminder of the gifts this
Earth shares with all its creatures, Linda Glaser and artist Elisa
Kleven bring their considerable talent together. OUR BIG HOME; An
Earth Poem surveys all we have, the water, rain, sun, dirt, air, wind
and sky. All that lives within Earth’s bounteous glory, and is sustained
by it, celebrates the life it provides. Kleven’s collage art with
its bright colors and intricate detail, swirls through the pages, setting
off Glaser’s poetic text.
(Ages 3-10,
$14.95)
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Ever since
we discovered Paul Fleischman’s poems for two voices, the Newbery-winning
Joyful
Noise, we have been on the lookout for more books by him like that.
Fleischman
is so prolific and experimental that it must be almost impossible for him
to duplicate anything (in fact book series must be anathema to him.) So
instead of poems for two voices, he has doubled our pleasure by giving
us BIG TALK; Poems for Four Voices. Find three more friends and
try these three scripted read-aloud romps. Your next gathering of the relatives
will be enlivened by a quartet of readers who take the parts of four ghosts
watching a family feast.
(Ages 10-Adult, $14.99) |